Upcoming:
“Malodors and Miasmas: The Political Potential of Working with Smell”, chapter in Debra Riley Parr & Gwenn-Ael Lynn (Eds.), Olfactory Art and the Political in an Age of Resistance, forthcoming, Routledge.

Fermenting Feminism (Hunter’s Moon)
New publication from the 2018 gathering of Fermenting Feminism in Copenhagen, curated by Lauren Fournier in collaboration with the Laboratory for Aesthetics & Ecology.

Taboo-Transgression-Transcendence in Art & Science conference
University of Applied Arts Vienna, Austria
November 26-28, 2020
“Volatile Effluvia: ‘Bad’ Smells as Resistance”

Musings: Stories with food, feminism, and fermentation
I wrote a text about one of my stinky performances.
The entire publication can be found here

Artist Talk
Access Gallery
Vancouver, Canada
October 26th, 2 – 4 pm, 2019

Access Gallery
Vancouver, Canada
September 14 – October 26, 2019
Curated by Lauren Fournier
Andrea Creamer, Eleonora Edreva & Leo Williams, Alanna Lynch, Sarah Nasby, Walter Scott, and Christine Tien Wang

Le Commun, Bâtiment d’Art Contemporain
Geneva, Switzerland
September 9 – October 10, 2019
I’m on episode 2 talking about smells and the recent exhibition at KRETS in Malmö with Maria Waehrens!
Listen to the episode here
Marrakech, Morrocco
June 2019
Thanks to the Berlin Art Prize!

Whose Museum x KRETS: Alanna Lynch & Maria Wæhrens
KRETS, Malmö, Sweden
May 4 – June 2, 2019 — Opening May 4th, 5 – 8pm
In residence at Whose Museum
April 23 – May 6, 2019
Malmö, Sweden
Emotional Agent
my text for the Berlin Art Prize Reader
on stink bombs and the potential of smell
Geneva, Switzerland
February – April, 2019
We acknowledge the support of the Canada Council for the Arts.
Nous remercions le Conseil des arts du Canada de son soutien.
Artist talk: Vulnerable and Resistant
NexUs Culture, Patan, Nepal
January 6th, 2019 @ 4pm
TIER.space, Berlin, Germany
December 17th, 2018 @ 7pm
October 24-25, 2018
Medical Museion, Copenhagen, Denmark
curated by Lauren Fournier & Laboratory for Aesthetics and Ecology

Berlin Art Prize Winners:
Monika Grabuschnigg, Alanna Lynch & Doireann O´Malley

Berlin Art Prize
Exhibition of the nominated artists
Opening: August 31st, 2018
Sticky Feelings
Solo Exhibition: April 27 – May 25, 2018
La Centrale Powerhouse Gallery
Montreal, Quebec, Canada
Viscous Bodies
Sarah Hermanutz & Alanna Lynch
Art Laboratory Berlin
March 24 – May 13, 2018
Nonhuman Agents in Art, Culture and Theory, Interdisciplinary Conference
24-26 November, 2017
Art Laboratory Berlin
Entire conference available online
Residency at Utopiana
Geneva, Switzerland
October 3-18, 2017
Presentation of works by Alanna Lynch, Margherita Pevere, Theresa Schubert, Sarah Hermanutz
at Art Laboratory Berlin
September 4th, 7-11pm
September 15th-17th, 1-4pm

Gut Feelings
at Art Laboratory Berlin as part of the Nonhuman Agents Series.
June 18th, 2017
I’ll be presenting a performative lecture and workshop
More information
I’m teaching this semester at Kunsthochschule Weißensee in the Foundation program.
On May 4th, 2017, I’m giving artist talk as part of the overall semester theme on Othering
Proceedings of the Interdisciplinary Conference “Taboo – Transgression – Transcendence in Art & Science 2016”, Ionian University, 2017.
The full proceedings can be downloaded here, my chapter starts on p. 414

Fraud, Fake and Fame – Goldrausch 2016
October 1–16, 2016
Opening: Friday, September 30, 2016, 7 pm
St. Johannes-Evangelist
Auguststraße 90, 10117 Berlin
As part of the exhibition I will be performing two separate works, on Oct. 6 and 16
Full program here
I will be performing at Tempting Failure, International Festival of Performance and Noise Art in London, UK,
July 21-29, 2016
More info here
I will be presenting my work in a talk “Disgust and the Fear of Contagion” at the
Taboo-Transgression-Transcendence in Art and Science Conference
at the 10th Audiovisual Arts Festival at Ionian University in Corfu Greece,
May 20 – 22, 2016
I will be showing my installation Potentials at the next
Montag Modus, at the Collegium Hungaricum in Berlin,
on Monday, April 4th, 2016.